My interdisciplinary practice encompasses large-scale painting, photography, and film. While the paintings are fragmentary and neo expressive, the camera work consists of immediate recordings of my life – unfiltered, leaving no room for imagination.  At the core of my work lie themes of evolution and transformation, with subcultures playing a vital role. Each encounter with my pieces is meant to provoke thought or evoke emotion. The collage-like paintings achieve this through their sheer visual presence,  

while the photographic and filmic works confront the viewer with unembellished reality. 

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My artistic process is guided by instinct and intuition. It follows the philosophy of imitation: human beings are profoundly imitative,  and thus I replicate what I see. In this way, my works evolve organically – ultimately, the process itself determines the final result. The viewer is meant to be drawn into my works: they can see, sense, and even feel them. Through this, I aim to pull the audience into  

my perspective and confront them with contemporary issues. My works stand as reflections of a new, ever-accelerating society – raw,  relentless, and undeniably real.

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